It ruined everything, putting into action a endless chain of events that seemed so patiently to be waiting for me to read that first page. It's the scary inevitability of Faust, the feeling that you are moving towards something dark, yet you feel you cannot stop it because you're terrified of that one shred of truth that you really believe is truth, and it dominates you so much that you reach a point where you cannot turn your back on it, and you begin to consider whether or not it might actually be worth selling your soul for it. It seems so inevitable, the intellectual journey, so Calvinist, so outside of the control of the individual will that when it happens you realize it had already left its mark of deja vu. It's the same phenomenon I experience with the Christian God- a sense in which I will one day inevitably and unreservedly bow down before my recognized master. Yet the intervening time is war, a war to figure out whether or not he really is my true master, the true master. I think he's smiling at me.
The story of Howard Roark, the architect, is, in many ways, the story of my time in Santiago Atitlan. I see a people, at times desperately poor, living in a state of complete submission. I hear it in the pain of the reverberated moans of the women who come to the church every morning as I am working in the garden, and how they are pinned, hook, line, and sinker, to the passionate play-acting that comes from behind the pulpit. But what is even more terrifying is that they are willing to bow down to me. They do it every day. It requires a lot of self honesty to ask the question of whether or not I like this. The answer fills me with terror.
Is this submission good? Is this self-sacrifice good? Hay valores y hay anti-valores. ¿Come es que los sabemos? I'll never forget that.
I think in my life, there are only two forces that motivate me; the desire for happiness, and the desire for truth. I'm just gonna say it; they're mutually exclusive. I think the man who can tell me which is better should be seated at the right hand of God.
Reading The Fountainhead brought about a close to a period in which I was searching only for happiness and re-opened the painfully sore history I have of searching for truth. For that, I have once again become profoundly restless, significantly isolated, and at times even hysterically neurotic. It's the most painful book I've ever read. I haven't recovered. I'm heading home soon.
But was I really fighting it? Am I fighting it? Was Faust really fighting his own damnation? Could he have? Should he have? I can't answer that.